[208 words]
I used to walk beside it,
hand in hand, fed it
scraps from my plate,
let it curl at the foot of my bed
like a stray dog I never named.
Some nights, I thought,
"This is the last one."
Brushed my teeth anyway.
I grew older.
Not softer, but rooted.
Found things worth staying for.
A laugh that cracks my ribs open,
the way clay dries under my nails,
a voice across a room that makes me look up.
That is what I fear.
Not death—
but the leaving.
But the absence.
But the unfinished lines
left scrawled in the margins.
I fear
not telling someone
I loved them in time.
I fear
not being missed
by the earth itself.
I fear
how regret tastes—
metallic, cold,
a tongue bitten too late.
But this
is human,
instinct.
the marrow’s cry:
survive
So you can say:
“Look. I was here.
I made this.
I meant it.”
We are not
above the cycle,
not exceptions,
compost in waiting.
If my existence
was not enough
for heaven
or history—
let it be enough
for the dandelions.
Let my bones break down
and make a few more flowers.
That is a life.
That is worth
every breath
I took
in fear.
Waverly Vernon (she/they) is a writer and interdisciplinary artist from Florida currently studying at the School of the Art Institute of Chicago. Their work explores politics, religious deprogramming, and trauma, transforming personal experience into connection and dialogue. They are the author of the micro chapbook “soft-skinned”, published by Bottlecap Press. Their poetry has also been published by Wildscape Literary Journal, Creation Magazine, Arcana Poetry Press, among others.

I am wading through the anticipatory grief of my own parents’ deaths and what they will leave unfinished. They were deathworkers, working through their own fears of ending, I worked as an archaeologist, picking through the long dead and their unfinished lives. This was visceral. Thank you Waverly.