[349 words]
“sometimes one place wants to slip into the other”
—Dar Williams
—So we’re talking first loves and the stories they told us about the places that made them, the stories that grew in us a longing we hadn’t previously named. We’re talking love without place is impossible, is formless, talking attraction is another word for nature, for this hilltop, this wave, this ecotone of light and flight and home. —Before the first person I loved kissed me for the first time, I listened to her narrate the colors of the fields that grew her. She held Cayuga Lake in her mouth with the same tender attentiveness she later used to hold me (first time) in that same mouth. —It was late spring in Vermont and raining apple blossoms. She told me about the orchard she’d grown up loving: gnarled bark and abundant fruit, the view from the picking ladder, overgrown hedgerows, flash of sunlight on deep blue, the whole glittering patchwork of Western New York unfolding around her like wings. —We were only twenty-two but her voice was ancient, it was woodsmoke and fireflies and the bright eyes of winter foxes and the tree-like creases in the old faces of the people who gave her her name, it was bedrock and glacier and the autumn-sorrow that burrows close with the departing daylight, and even now —I can’t listen to that one Dar Williams song without thinking about how, with the breath just before the breath she used to tell me she loved me (first time), she told me how it felt —to carry the belonging of soil in her bones. I know what love draws me closest to myself. —I never walked through the knee-high grass in the summer fields that made her. She loved that place more than she loved me. She left me for those colors and I left her for the ocean. —It’s been seventeen years since those luminous ridgetop nights we spent tracing maps of hereness across each other’s skin and I’m still speaking the language of porousness to landscape we learned when we fell in love by telling each other what trees we came from.
Laura Sackton is a queer poet who lives and writes in rural Massachusetts. Her work has appeared in West Branch and is forthcoming in the Tampa Review, The Comstock Review, and Terrain.org. She’s known around the internet as an evangelist for earnestness.

That’s such a beautiful concept, exploring how geography can shape early memories. I find it really interesting how she ties in the idea of ‘the metaworker’ too.